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Published on
28 April 2021

a history of sunlight / lichen / hertfordshire



six exposures   |   thirty minute intervals
Published on
22 April 2021

meander / ashridge



The world is an ever-weaving tapestry from which no thread can be pulled without destroying the integrity of the cloth.



Dean Koontz, Deeply Odd, 2013

Published on
14 March 2021

riparian rights / an undisclosed chalk stream in hertfordshire



Public access to England’s watercourses amounts to only 3% of the 42,700 miles available. 


“If you’re by a river, on a river or in a river, there’s a 97% chance that you’re not allowed to be there.” 

​

Nick Hayes, The battle for England’s waterways, 2019


Where a watercourse divides two adjoining properties (in this case public / private) the boundary is defined by the centreline of the water between the opposing banks. By its very definition that line cannot be fixed, like a wall or a fence, but is in a constant state of flux. Over time the edges of the banks ebb and flow; endlessly reconfigured by accumulations and detritions, floods and droughts, damage and repair. With each new amendment to the physical geometry of the banks, the boundary shifts; it meanders and weaves, mimicking the passage lines of detritus floating on the surface above.


The images presented here collectively represent an attempt to map this condition, to make manifest this tenuous line of ownership concealed below the surface.




Riparian Rights was a response to Right to Roam; an open call for work investigating the issue of land rights, access and trespass.
An edited version of the work is included in a Journal published by Inside The Outside 

​

​
Picture



Your dunce thinks they are standing still, and draws them all fixed; your wise man sees the change or changing in them, and draws them so, -the animal in its motion, the tree in its growth, the cloud in its course, the mountain in its wearing away. Try always, whenever you look at a form, to see the lines in it which have had power over its past fate and will have power over its futurity. Those are its awful lines; see that you seize on those, whatever else you miss.


​

The Works of John Ruskin, Vol. 15, E. T. Cook & A. Wedderburn (eds), 1904


Published on
23 December 2020

meander / the leather pit



To love a swamp, however, is to love what is muted and marginal, what exists in the shadows,

​what shoulders its way out of mud and scurries along the damp edges.



Barbara Hurd, Stirring the Mud: On Swamps, Bogs & Human Imagination, 2001

Published on
8 December 2020

caput mortuum III / eight hours on blackweir pond / extracts



every figure is no more than the lingering trace of a movement that has already ceased.

​


The Notebooks of Joseph Joubert, 1754 - 1824


Published on
8 December 2020

meander / moor mill pits




So it is with time, that lightens what is dark, that darkens what is light.


​Samuel Beckett, Watt, 1953



​

Published on
30 November 2020

meander / moor mill pits

Picture



Look around:

See how things all come alive-

By death! Alive!

​Speaks true who speaks shadow.



Paul Celan, Threshold to Threshold, 1955


Published on
15 November 2020

meander / ashridge



Passion has little to do with euphoria and everything to do with patience.

It is not about feeling good. It is about endurance.

Like patience, passion comes from the same Latin root: pati.

It does not mean to flow with exuberance. It means to suffer.


​

Mark Z. Danielewski, House of Leaves, 2000


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Picture



At no other time (than autumn) does the earth let itself be inhaled in one smell, the ripe earth; ​...Containing depth within itself, darkness, something of the grave almost.



Rainer Maria Rilke, Letters on Cézanne, 1907

Published on
3 November 2020

meander / exmoor



The tree which moves some to tears of joy is in the eyes of others only a green thing which stands in the way....


As a man is, so he sees.



William Blake, Letter to Reverend John Trusler, 23 August 1799

​

Published on
1 November 2020

meander / ashridge



dead calm, then a murmur, a name, a murmured name . . .


​

Samuel Beckett

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