Guy Dickinson’s instinct to head off to the remote edges of things goes deep. The visible traces of these solitary odysseys are sequences of photographs whose intensity comes not, one senses, from a desire for self-knowledge, but from a yearning for total immersion in the encounter with a physical environment. Landscape or seascape, in their ability to encompass the grand and the granular, these images take the viewer similarly deep into their field of vision. It is of the essence of Guy’s work not to tell us how to look, but rather to clear the way we see, so that it is the place itself – the fissured limestone, boulder strewn shores and roiling swell – not the photograph, that we feel on our retinas. In so doing he achieves that rare feat of conjuring Heaney’s ‘salt of our earth’.
Alison Morris
‘What do we say any more
to conjure the salt of our earth?
So much comes and is gone
that should be crystal and kept.’
Seamus Heaney, from ‘The Singer’s House’
to conjure the salt of our earth?
So much comes and is gone
that should be crystal and kept.’
Seamus Heaney, from ‘The Singer’s House’
Articles / Interviews
Offline Journal / interview / issue 11
Black + White Photography / interview / Issue 275
Biblioscapes / interview / a dialogue
The United Nations of Photography / What photography means to me / a monologue
Echtrai Journal / Edition One / a poem, a cover, some interleaves
ITO Journal / Right to Roam / work from the series, Riparian Rights
Pleasure Garden / Issue Seven / Riverrun / a poem commissioned by John Tebbs
Inside the Outside / Towards a premise / a collaboration with David Foster
Centre for Alterity Studies / Alterity Five / On Consciousness / 14 poets, writers & artists
Inside the Outside / Out of the Woods of Thought
Centre for Alterity Studies / Alterity Two / Stations
Corbel Stone Press / Reliquiæ
The Dartmoor Collective / A review of Rifts & Erasures
Inside the Outside / Caput Mortuum with preface by Christopher John Thornhill
Thames Estuary Library / Saltsick
Inside the Outside / Stations with Alison Morris
Inside the Outside / Scar
On Landscape / Featured Photographer interview with Michela Griffith / issue 160
Webb Chiles / self-portrait in the present sea
Inside the Outside / Strainsear with Alison Morris
Some books feature on Biblioscapes
Exhibitions
Solo / postROOM / 2023 (8th February - 4th March)
Group / Bard / A shadow passes / 2022 / ongoing
Group / Argentea Gallery / Gather / 2019
Group / Patching’s Gallery / Connected 2019
Group / Argentea Gallery / Out of the Woods of Thought / 2018
Offline Journal / interview / issue 11
Black + White Photography / interview / Issue 275
Biblioscapes / interview / a dialogue
The United Nations of Photography / What photography means to me / a monologue
Echtrai Journal / Edition One / a poem, a cover, some interleaves
ITO Journal / Right to Roam / work from the series, Riparian Rights
Pleasure Garden / Issue Seven / Riverrun / a poem commissioned by John Tebbs
Inside the Outside / Towards a premise / a collaboration with David Foster
Centre for Alterity Studies / Alterity Five / On Consciousness / 14 poets, writers & artists
Inside the Outside / Out of the Woods of Thought
Centre for Alterity Studies / Alterity Two / Stations
Corbel Stone Press / Reliquiæ
The Dartmoor Collective / A review of Rifts & Erasures
Inside the Outside / Caput Mortuum with preface by Christopher John Thornhill
Thames Estuary Library / Saltsick
Inside the Outside / Stations with Alison Morris
Inside the Outside / Scar
On Landscape / Featured Photographer interview with Michela Griffith / issue 160
Webb Chiles / self-portrait in the present sea
Inside the Outside / Strainsear with Alison Morris
Some books feature on Biblioscapes
Exhibitions
Solo / postROOM / 2023 (8th February - 4th March)
Group / Bard / A shadow passes / 2022 / ongoing
Group / Argentea Gallery / Gather / 2019
Group / Patching’s Gallery / Connected 2019
Group / Argentea Gallery / Out of the Woods of Thought / 2018
